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備注：已完結(jié)
類型：港澳劇
主演：梁朝偉 翁美玲 陳敏兒 呂良偉 關(guān)海山 劉丹 夏雨 歐陽佩珊
導(dǎo)演：未知
語言：粵語
年代：未知
簡介： 周劍虹（梁朝偉）因母親當(dāng)年的一段三角戀愛，竟令他出世後不知生父是誰。母親生他時難產(chǎn)而死，他就由兩個父親周榮及鄒有共同撫養(yǎng)。劍虹大學(xué)畢業(yè)後，先結(jié)識女督察謝碧華（翁美玲）及女律師林少文（陳敏兒），兩人均在他心中留下印象?！ 缭谝恢閷毠疽挼美硐牍ぷ麽?，便努力爭取表現(xiàn)。在一次洽談生意中發(fā)現(xiàn)上司及一些同事瞞著公司，從中漁利，遂向董事長楊兆安投訴，因而甚受賞識?！ ≌装餐鈱O江天偉（呂良偉）經(jīng)劍虹介紹而認(rèn)識少文，遂展開追求；與此同時，少文知悉劍虹只視自己為知己，故接受了天偉的愛意。但劍虹、碧華、天偉及少文間感情發(fā)展，忽離又合，始終糾纏不清?！ 〈送猓装矡o意中查悉周榮竟是他前妻所生的兒子，劍虹便是其孫，大感興奮，決栽培劍虹，讓他日後接管珠寶公司。此事給其子楊志堅知悉，大為憤怒，決要清除異己，實行他的奪權(quán)大計…
備注：已完結(jié)
類型：愛情片
主演：杰夫·布里吉斯 格倫·克洛斯 彼德·考約特 羅伯特·勞吉亞 Maria
導(dǎo)演：理查德·馬昆德
語言：英語
年代：未知
簡介： 故事發(fā)生在舊金山的郊區(qū)，這邊廂，杰克（杰夫·布里吉斯 Jeff Bridges 飾）尚且沉浸在妻子佩吉（Maria Mayenzet 飾）去世的悲痛之中，那邊廂，他就已經(jīng)成為了警方重點懷疑的對象，因為佩吉出身于富有的家庭，而她的死亡意味著她那令人垂涎的巨額遺產(chǎn)將落入杰克的手中?！ 榱讼辞迳砩系淖锩?，杰克雇傭了名叫泰迪（格倫·克洛斯 Glenn Close 飾）的女律師，在相處的過程中，杰克和泰迪之間的關(guān)系漸漸開始變得曖昧不明起來，在理智與情感之間，泰迪能否撥開迷霧看清事實？她身邊的這個男人，又是否真的如同看上去的那樣清白無辜呢？在接近真相的同時，危險也漸漸來到了她的身后。
備注：已完結(jié)
類型：科幻片
主演：Wilford Brimley Aubree Miller Sian
導(dǎo)演：Jim Wheat
語言：英語
年代：未知
簡介： 由國王Terak和女巫Charal所帶領(lǐng)的掠奪者軍隊襲擊了伊渥克族人的村莊。Cindel的父母和兄弟全都死于這場襲擊。Cindel與一個伊渥克族人Wicket逃了出來。在一片森林里，他們遇見了Teek這只非常淘氣也非常敏捷的野獸。Teek把他們二人帶來一位老人Noa的住處。而這位Noa有著與Cindel相似的經(jīng)歷——他乘坐的星際巡洋艦也墜毀在了恩多上。大家齊心合力對抗Terak和Charal。
備注：已完結(jié)
類型：動作片
導(dǎo)演：Tony Randel Paul Donovan
語言：英語
年代：未知
簡介： Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.
備注：已完結(jié)
類型：科幻片
主演：耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導(dǎo)演：皮奧特爾·舒爾金
語言：其它
年代：未知
簡介： Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
備注：已完結(jié)
類型：恐怖片
主演：特瑞·亞歷山大 約瑟夫·佩拉圖 賈拉斯·康羅伊 理查德·雷伯蒂 舍曼·
導(dǎo)演：喬治·A·羅梅羅
語言：英語
年代：未知
簡介： 僵尸侵染的范圍持續(xù)擴(kuò)大之余，人類也加緊進(jìn)行針對性研究。研究員莎拉（Lori Cardille 飾）和直升機(jī)駕駛員約翰等人空降到礦道改建的地下研究中心，羅根醫(yī)生在這里研究僵尸習(xí)性，并得到了一些初步成果。負(fù)責(zé)中心安全與捕捉僵尸的軍人們對暗無天日的地下生活早已厭倦，每天面對同袍死去、消息隔絕、研究進(jìn)展緩慢讓他們暴躁易怒，并在長官羅德（Joseph Pilato 飾）帶領(lǐng)下公然反抗項目負(fù)責(zé)人。精神瀕臨崩潰的士兵米格爾因僵尸嚙咬失去一臂，同時軍人與研究人員的矛盾全面爆發(fā)，羅德兇相畢露，將莎拉等人趕入滿布僵尸的坑道，米格爾則將僵尸放入中心，失控的局勢中，莎拉等人全力求生…… 本片獲1985年加泰羅尼亞國際電影節(jié)最佳女演員獎。
