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備注：已完結(jié)
類型：喜劇片
主演：瑞安·雷諾茲 杰瑪·阿特登 安娜·肯德里克 杰基·韋佛 格列佛·麥格拉
導(dǎo)演：瑪嘉·莎塔琵
語言：英語
年代：未知
簡介： 杰瑞（瑞安·雷諾茲 Ryan Reynolds 飾）是工廠里的打包工，和一貓一狗過著相依為命的生活。同事眼中的杰瑞樂觀開朗，對(duì)工作充滿了熱情，可實(shí)際上，杰瑞患有嚴(yán)重的精神分裂癥，需要依賴藥物控制病情，更糟糕的是，杰瑞并沒有按照醫(yī)囑服用藥物！因?yàn)橐坏┏粤怂?，他就無法和家里的阿貓阿狗對(duì)話了?！ 〗苋鹣矚g著廣告部的女同事菲奧娜（杰瑪·阿特登 Gemma Arterton 飾），一場(chǎng)意外中，菲奧娜命喪杰瑞刀下，杰瑞將菲奧娜的尸體帶回家，將她的頭切下來藏在了冰箱里。讓杰瑞感到震驚的是，菲奧娜的頭竟然也開始說話了，菲奧娜懇求杰瑞替她找一個(gè)伴兒，于是，杰瑞將目標(biāo)放在了菲奧娜的好友麗薩（安娜·肯德里克 Anna Kendrick 飾）身上。
備注：已完結(jié)
類型：愛情片
主演：弗雷德里克·馬奇 伊夫琳·維納布爾 蓋伊·斯坦丁 凱瑟琳·亞歷山大 吉
導(dǎo)演：米切爾·萊森
語言：英語
年代：未知
簡介： Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
備注：已完結(jié)
類型：愛情片
主演：艾米·亞當(dāng)斯 帕特里克·德姆西 詹姆斯·麥斯登 蒂莫西·斯波 伊迪娜·
導(dǎo)演：凱文·利瑪
語言：英語
年代：未知
簡介： 女孩吉賽爾美麗的歌聲飛遍森林，小動(dòng)物們輕輕的和著，王子被深深地吸引。于是，王子和女孩一見傾心，正準(zhǔn)備著他們盛大的婚禮。誰知，壞王后為了保住自己的權(quán)利，從中作梗，把吉賽爾送到了21世紀(jì)的紐約街頭?！ 〖悹枺ò?亞當(dāng)斯 飾）無所適從的游走在喧囂的紐約，沒人知道她是真的公主，她害怕極了，找不到能夠幫她的人。幸好，好心的律師羅伯特（帕特里克?德姆西 飾）收留了她。漸漸的，公主純真的心打動(dòng)了原本刻板的律師，機(jī)緣巧合，相遇的兩個(gè)人互生情愫。而這時(shí)，愛德華王子（詹姆斯?麥斯登 飾）也不顧一切地，穿越時(shí)空，來到了紐約，營救他心愛的公主。 公主真愛的天平，將傾向何處…
備注：已完結(jié)
類型：歐美劇
主演：瑪達(dá)琳娜·波扎斯卡 格里高茲·達(dá)米茨基 凡妮莎·亞歷山大 阿格尼茲卡·
導(dǎo)演：Bartosz Prokopowicz
語言：其它
年代：未知
簡介： 失蹤30年后，這名航天員回歸，失散的愛人因此重燃愛火，而一家公司也對(duì)他產(chǎn)生了興趣，想要弄明白他自己沒有變老的原因
備注：已完結(jié)
類型：劇情片
主演：Ant?nio Alcantara Machado Italo Max
導(dǎo)演：Pablo Olmos Arrayales
語言：其它
年代：未知
簡介： 關(guān)于一對(duì)在網(wǎng)上相遇的情侶。
備注：已完結(jié)
類型：劇情片
主演：Hélène Lambert Louise Pociecka Stev
導(dǎo)演：埃馬努埃萊·卡雷爾
語言：法語
年代：未知
簡介： 本片根據(jù)弗洛倫斯·奧貝納斯撰寫的小說《烏斯特雷姆的碼頭》改編，比諾什飾演一位知名作家，她想要通過親身體驗(yàn)去撰寫一部有關(guān)工作狀態(tài)中不安感的書。她化身成清潔女工，在工作中發(fā)現(xiàn)每一元錢對(duì)生活都很重要，而這是社會(huì)上很多階級(jí)看不見的層面。當(dāng)她經(jīng)歷過這場(chǎng)考驗(yàn)，她與一些不幸的同伴結(jié)下了真正的友誼，溫暖而且快樂的關(guān)系。
備注：已完結(jié)
類型：恐怖片
導(dǎo)演：加里·J·滕尼克利夫
語言：英語
年代：未知
簡介： 影片講述3名警探在調(diào)查一起謀殺案時(shí)，卻已悄悄落入釘子人的陷阱... 新任“釘子頭”由《罪惡之城》男星保羅·T·泰勒飾演，影片將于2017年在美國上映。 據(jù)外媒報(bào)道，《猛鬼追魂》第10部影片《猛鬼追魂：審判》（Hellraiser:Judgment）首度曝光了造型照，令人聞風(fēng)喪膽的“釘子頭”現(xiàn)身，由《罪惡之城》男星保羅·T·泰勒飾演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖電影之一，除驚人的血腥場(chǎng)景外，更借助肉體的痛苦達(dá)到靈魂的救贖，追求一種由魔入道的境界。
備注：已完結(jié)
類型：喜劇片
主演：Robert Townsend Craigus R. Johnson
導(dǎo)演：Robert Townsend
語言：英語
年代：未知
簡介： Bobby Taylor wants to be a respected actor. From Sam Spade to Shakespeare to superheros, he can do it all. He just has to convince Hollywood that gangstas, slaves and “Eddie Murphy-types” aren’t the sum of his talents.
備注：已完結(jié)
類型：喜劇片
主演：阿麗亞娜·阿斯卡里德 Jimmy Tavares 喬納森·扎凱 Hél
導(dǎo)演：奧利維耶·杜卡斯泰爾 雅克·瑪爾提諾
語言：法語
年代：未知
簡介： 透過攝像機(jī)偶爾晃動(dòng)的畫面里是étienne無法言語的懵懵情愫，對(duì)好友Ludo，對(duì)自己的地理老師，對(duì)花樣滑冰的隊(duì)友。很朦朧卻時(shí)時(shí)刻刻的縈繞在心頭。不敢用自己的雙眼直接去面對(duì)，只能用鏡頭去捕捉那些人，那些表情，那些感情... 故事從étienne，一個(gè)法國男孩過生日時(shí)得到了一部微型攝像機(jī)開始，他每天拿著攝像機(jī)記錄自己和別人的生活。這部電影出自曾經(jīng)拍攝過《巧克力男孩》的兩位電影導(dǎo)演之手。導(dǎo)演在這部作品中作了大膽的嘗試，采用主角的第一人稱視角，提供給觀眾大量零散的影像資料，讓觀眾自己捉摸和歸納，深入一個(gè)同志男孩的內(nèi)心世界，情節(jié)天真而有趣。 我再次被法國電影這種浪漫婉約派的拍攝手法給打動(dòng)，沒有什么山盟海誓，生死離別，就是娓娓道來的一段生活經(jīng)歷，卻如此的吸引你，讓人陪著帥氣的小男主人公踏上尋愛之旅!
